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CV Delyfer Catherine
Principales publications
Ouvrages
Art and Womandhood in Fin-de-Siècle Writing: The Fiction of Lucas Malet, 1880-1931. London: Pickering and Chatto, 2011.
Directions d’ouvrages collectifs et de numéros de revues
Reconnecting Aestheticism and Modernism: continuities, revisions, speculations (co-edited with B. Coste and C. Reynier). London: Routledge (Literary Texts and the Popular Marketplace Series), 2017.
“Gold in/and Art”. Polysèmes 15 (2016)
Aesthetic Lives (co-edited with B. Coste). High Wycombe : Rivendale Press, 2013.
« Female Aestheticism ». Cahiers victoriens et édouardiens 74 (2011)
Articles
“Golden alchemies: gold in British art and literature”, Polysèmes 15 (2016).
« Visible, invisible, visuel : spectralité et hantologie dans The Gateless Barrier (1900) de Lucas Malet », Polysèmes 13 (2015).
« Les monstres d’Aubrey Beardsley et le “grotesque darwinien” », Cahiers victoriens et édouardiens 77 (avril 2013).
« Gleeson White », The Yellow Nineties Online, in D. Denisoff and L. Janzen Kooistra (dirs.), Ryerson University, 2013.
Chapitres d’ouvrages
"Speculating on Art in Fin-de-Siècle Fiction", in B. Coste, C. Delyfer and C. Reynier eds. Reconnecting Aestheticism and Modernism: continuities, revisions, speculations (London: Routledge, 2017), pp. 165-174.
« Re-writing myths of creativity: Pygmalionism, Galatea figures, and the revenge of the muse in fin-de-siècle literature by women », in Holly Laird (ed.), The History of British Women’s Writing, 1880-1920, London: Palgrave Macmillan (History of British Women’s Writing Series, volume 7), 2016, pp. 111-126.
« The Aesthete, the Banker, and the Saint: Economies of Gift and Desire in Lucas Malet’s The Far Horizon (1906) », in Jane Ford, Patricia Pulham and Kim Edwards Keates (eds.), Libidinal Lives: Economies of Desire at the Fin-de-Siècle: Libidinal Lives, London: Routledge (Studies in Nineteenth Century Literature Series), 2016, pp. 122-142.