Corinne Bigot

Adresse

UT2J, DEMA

Bureau

LA 263

Mail

corinne.bigot@univ-tlse2.fr

Responsabilité scientifique

• Co-responsable du séminaire Diaspolinks, University of Edinburgh
• Responsabilité scientifique  précédente : co-responsable du séminaire Faaam, Université Paris Ouest Nanterre 

• Concours : agrégation d'anglais, 1990
• Doctorat (2007) :  «  L’espace du silence dans l’oeuvre d’Alice Munro ».  Sous la direction de Jean-Jacques Lecercle, Université Paris X Nanterre. Jury : Jean-Jacques Lecercle (Nanterre, directeur), Héliane Ventura (Orléans, rapporteur) Hubert Teyssandier (Emérite Paris III, rapporteur et président du jury), Chantal Delourme (Nanterre). Mention très honorable. Félicitations du jury.
• Maître de Conférences : 2009-2016, Université Paris Ouest Nanterre. 

Principales publications 

Ouvrage

• Alice Munro, les silences de la nouvelle, Presses Universitaires de Rennes, 2014.

Ouvrage co-écrit

•  Sunlight and Shadows, Past and Present: Alice Munro’s Dance of the Happy Shades, Paris: CNED-PUF, 2014. Co-écrit  avec Catherine Lanone.

Direction et co-direction d’ouvrages

• Baisnee-Keay, Valérie; Bigot, Corinne; Alexoae-Zagni, Nicoleta; Bazin, Claire. (Eds.) Women's Life Writing and the Practice of Reading. She Reads to Write Herself. Basingstoke: Palgrave Macmillan, 2018. ISBN 978-3-319-75246-4
• Bigot, Corinne; Kekeh-Dika, Andrée-Anne; Setti, Nadia; Wallart, Kerry Jane/ (eds) Wagadu, Journal of Transnational Women’s and Gender Studies Special Issue Jamaica Kincaid, 2018.
• Bigot, Corinne et Catherine Lanone. ‘With a roar from underground’: Alice Munro’s Dance of the Happy Shades. Presses Universitaires de Paris Ouest 2015.
• Commonwealth Essays and Studies 37.2 (2015) Special issue Alice Munro: Writing for Dear Life. 

Articles

• “Marooning on Islands of Her Own Choosing: Inscribing Place and Instability in Alice Munro’s “‘Deep-Holes’” Commonwealth Essays and Studies ‘’42-2 Spring 2020. DOI: 10.4000/ces.1882
• "Diasporic culinary trajectories: Mapping food zones and food routes in first generation South Asian and Caribbean culinary memoirs" in Journal of Postcolonial Writing, special issue: Diasporic Trajectories, 55-6, 2019, 795–807.
• “Ghost Texts in Alice Munro’s Stories, in Short Fiction in Theory and Practice,  7-2, special issue Haunting and the short story (2017): 141-152. 
• “Fur and Slime: Becoming-Animal, Becoming-Child in ''Face'' and ''Child’s Play'' by Alice Munro,” in Caliban, 57, La question animale dans les nouvelles d’Alice Munro/The Animal Question (2017): 21-35. 
• « Saynètes en provenance du Nouveau Monde: Catherine  Parr Traill et Susanna Moodie au pays des Indiens Chippewas ». Représentations, revue en ligne, Université Stendhal, Grenoble (juin 2015) : 14-27.    
• ‘‘Forsaken Objects, Haunted Houses, Female Bodies, and ‘the squalor of tragedy in ordinary life’” Commonwealth Essays and Studies 37.2, special issue Alice Munro: Writing for Dear Life (Spring 2015): 15-25.*
• “ ‘With Robert, Xavier and Elijah in Flanders’ : Re-Examining Timothy Findley’s The Wars and Its Literary Legacy,” Caliban  53 Representing World War One (June 2015): 53-64.
• “Disjointedness: Parenthetical Structures and Dashes in Alice Munro’s Stories from Dance of the Happy Shades,” Etudes de Stylistique Anglaise. N° 8. Special issue: Stylistic Perspectives on Alice Munro’s Dance of the Happy Shades. M. Jobert & Michael Toolan, Eds. (March 2015): 15-35.
• “The Wonders of the Transatlantic Journey in Alice Munro’s ‘The View from Castle Rock’,” Commonwealth Essays and Studies, Vol. 37, N.1 (Autumn 2014): 25-34.
• “Did they go Native? Representations of First encounters with First Nations Canadians in Susanna Moodie and Catharine Parr Traill,” Journal of Commonwealth Literature, Vol. 49-1 (March 2014) : 99-111.
• “‘None of us escaped the naming’: Reclaiming Identities and Reclaiming Space in Joy Kogawa’s Obasan,” Commonwealth Essays and Studies  36.1 (Autumn 2013): 81-91.
• “ ‘Silence’: from the Politics of Silence to a Rhetoric of Silence,” The Journal of the Short Story in English, Special Issue: The Short Stories of Alice Munro. Vol. 55  (Aut. 2010): 123-138.
• “‘And Another Story Surfaced’: Re-emerging Voices, Stories and Secrets in Alice Munro’s ‘Family Furnishings’,” Commonwealth Essays and Studies, Vol 31-1 (Aut 2008): 28-35.
• « L’italique et l’inscription de la résurgence dans les nouvelles d’Alice Munro ». Bulletin de la Société de stylistique anglaise, numéro 31 (2008) :  63-76.

Chapitres d’ouvrages

• “Embodied Memories and Memory Dishes: the Diasporic Culinary Memoir as an alternative Locus of Memory.” In Mémoires, traces, empreintes. Floriane Reviron Piegay, Elisabeth Bouzonviller, Emmanuelle Souvignet (dir.) Éditions Orbis Tertius, 2020, pp. 241-264.
• « Les long short stories, l’art de la nouvelle selon Alice Munro (I). Une littérature de l’inconfort » In Court: récits d'aujourd'hui. Dir Sabrinelle Bedrane, Claire Colin et Christine Lorre Jonhston. Paris: Classiques Garnier, 2019, pp.191-206.
• “‘By Way of Their Fingers’: Making Sense of Self and Home in Selected Short Stories by Edwidge Danticat, Chitra Banerjee Divakaruni and Chimamanda Ngozi Adichie” in Women on the Move: Body, Memory and Femininity in Present-day Transnational Diasporic Writing, edited by Silvia Pellicer-Ortin and Julia Tofantšuk. London, New York: Routledge, 2018, pp. 97-115.
• "Haunting Books and Stories in Janice Kulyk Keefer’s Honey and Ashes, Story of Family," in Women’s Life Writing and the Practice of Reading, edited by Valérie Baisnée & all. London & New York: Palgrave Macmillan, 2018, pp. 237-253. 
• “Mapping the Vernacular Landscape in  Alice Munro's ‘What Do You Want to Know For ?’  and Other Stories.”  in  Space and Place in Alice Munro’s Fiction, A Book with Maps,  Christine Lorre and Eleanora Rao (eds),  Camden House, 2018, pp. 65-83.
• “Life and Death, Lines of Flight, Patterns of Entrapment and Survival in Alice Munro’s “Dimensions” and “Runaway”,” chapter 7 in Alice Munro, The Anatomy of the Short Story, Oriana Palusci (ed.), Newcastle upon Tyme, Cambridge Scholar Publishing, 2017; pp. 97-111.
• « Jeux et enjeux de la confession d’une meurtrière: “Child’s Play” d’Alice Munro » in L’acte inqualifiable ou le meurtre au féminin/Unspeakable Acts: Murder by Women, ouvrage dirigé par Emeline Jouve, Aurélie Guillain et Laurence Talairach. Peter Lang, 2016, p.181-197.
• “Ghost Texts, Patterns of Entrapment, and Lines of Flight: Reading stories from Too Much Happiness and Dear Life in Connection with Earlier Stories,” in Alice Munro: Reminiscence, Interpretation, Adaptation and Comparison, dirigé par Mira Buchholtz & Eugenia Sojka. Peter Lang, 2015, p. 59-74. 
• “Patterns of Entrapment and Lines of Flight: Reading ‘Thanks for the Ride’ with ‘The Shining Houses’,” in The Inside of a Shell. Alice Munro’s Dance of the Happy Shades», dirigé par Vanessa Guignery. Newcastle: Cambridge Scholars Publishing, 2015, p. 130-143.
• “Interracial Relations: (Re)writing the Stereotype in Native and Non-Native Literatures: Pauline Johnson, Catharine Parr Traill and Susanna Moodie,” in The Memory of Nature in Aboriginal, Canadian and American Contexts, dirigé par Françoise Besson, Claire Omhovère & Héliane Ventura. Cambridge Scholars Publishing, 2014, p. 176-191.
• « ‘These French clichés are symptomatic’ : la mise en évidence des mots français dans Lolita de Vladimir Nabokov » in  L’Etranger dans la langue, dirigé par  Emily Eells, Ch. Berthin, et J.-M. Desprats.  Presses Universitaires de Paris Ouest, 2014, p. 269-284.
• “Locking the Door’: Self-deception, Silence and Survival in Alice Munro’s ‘Vandals’,” in Trauma Narratives and Her Story, dirigé par Sonya Andermar & Silvia Pellicer. Palgrave MacMillan, 2013, p. 113-126.