Maître de Conférences
Corinne Bigot
Coordonnées
- Adresse
- Université Toulouse 2 Jean Jaurès, UFR Langues, département : DEMA , Bureau 263
- corinne.bigot@univ-tlse2.fr
Discipline(s) enseignée(s)
Littérature du Commonwealth (Canada), civilisation du Canada, littérature britannique (introduction), littérature américaine (introduction à l'étude du roman) langue, méthodologie,
Thèmes de recherche
Littérature du Commonwealth (Canada), littérature de la diaspora
Activités / CV
Responsabilité scientifique
- Co-responsable du séminaire Diaspolinks, University of Edinburgh
- Responsabilité scientifique précédente : co-responsable du séminaire Faaam, Université Paris Ouest Nanterre
- Concours agregation anglais 1990
- Doctorat (2007) : « L’espace du silence dans l’oeuvre d’Alice Munro ». Sous la direction de Jean-Jacques Lecercle, Université Paris X Nanterre. Jury : Jean-Jacques Lecercle (Nanterre, directeur), Héliane Ventura (Orléans, rapporteur) Hubert Teyssandier (Emérite Paris III, rapporteur et président du jury), Chantal Delourme (Nanterre). Mention très honorable. Félicitations du jury.
- Maître de Conférences : 2009-2016, Université Paris Ouest Nanterre.
Principales publications
Ouvrage
- Alice Munro, les silences de la nouvelle, Presses Universitaires de Rennes, 2014.
Ouvrage co-écrit
- Sunlight and Shadows, Past and Present: Alice Munro’s Dance of the Happy Shades, Paris: CNED-PUF, 2014. Co-écrit avec Catherine Lanone.
Direction et co-direction d’ouvrages
- Baisnee-Keay, Valérie; Bigot, Corinne; Alexoae-Zagni, Nicoleta; Bazin, Claire. (Eds.) Women's Life Writing and the Practice of Reading. She Reads to Write Herself. Basingstoke: Palgrave Macmillan, 2018. ISBN 978-3-319-75246-4
- Bigot, Corinne; Kekeh-Dika, Andrée-Anne; Setti, Nadia; Wallart, Kerry Jane/ (eds) Wagadu, Journal of Transnational Women’s and Gender Studies Special Issue Jamaica Kincaid, 2018.
- ‘With a roar from underground’: Alice Munro’s Dance of the Happy Shades. Presses Universitaires de Paris Ouest 2015.
- Commonwealth Essays and Studies 37.2 (2015) Special issue Alice Munro: Writing for Dear Life.
Articles
- “Ghost Texts in Alice Munro’s Stories, in Short Fiction in Theory and Practice, 7-2, special issue Haunting and the short story (2017): 141-152.
- “Fur and Slime: Becoming-Animal, Becoming-Child in ''Face'' and ''Child’s Play'' by Alice Munro,” in Caliban, 57, La question animale dans les nouvelles d’Alice Munro/The Animal Question (2017): 21-35.
- « Saynètes en provenance du Nouveau Monde: Catherine Parr Traill et Susanna Moodie au pays des Indiens Chippewas ». Représentations, revue en ligne, Université Stendhal, Grenoble (juin 2015) : 14-27.
- ‘‘Forsaken Objects, Haunted Houses, Female Bodies, and ‘the squalor of tragedy in ordinary life’” Commonwealth Essays and Studies 37.2, special issue Alice Munro: Writing for Dear Life (Spring 2015): 15-25.*
- “ ‘With Robert, Xavier and Elijah in Flanders’ : Re-Examining Timothy Findley’s The Wars and Its Literary Legacy,” Caliban 53 Representing World War One (June 2015): 53-64.
- “Disjointedness: Parenthetical Structures and Dashes in Alice Munro’s Stories from Dance of the Happy Shades,” Etudes de Stylistique Anglaise. N° 8. Special issue: Stylistic Perspectives on Alice Munro’s Dance of the Happy Shades. M. Jobert & Michael Toolan, Eds. (March 2015): 15-35.
- “The Wonders of the Transatlantic Journey in Alice Munro’s ‘The View from Castle Rock’,” Commonwealth Essays and Studies, Vol. 37, N.1 (Autumn 2014): 25-34.
- “Did they go Native? Representations of First encounters with First Nations Canadians in Susanna Moodie and Catharine Parr Traill,” Journal of Commonwealth Literature, Vol. 49-1 (March 2014) : 99-111.
- “‘None of us escaped the naming’: Reclaiming Identities and Reclaiming Space in Joy Kogawa’s Obasan,” Commonwealth Essays and Studies 36.1 (Autumn 2013): 81-91.
- “ ‘Silence’: from the Politics of Silence to a Rhetoric of Silence,” The Journal of the Short Story in English, Special Issue: The Short Stories of Alice Munro. Vol. 55 (Aut. 2010): 123-138.
- “‘And Another Story Surfaced’: Re-emerging Voices, Stories and Secrets in Alice Munro’s ‘Family Furnishings’,” Commonwealth Essays and Studies, Vol 31-1 (Aut 2008): 28-35.
- « L’italique et l’inscription de la résurgence dans les nouvelles d’Alice Munro ». Bulletin de la Société de stylistique anglaise, numéro 31 (2008) : 63-76.
Informations complémentaires
Chapitres d’ouvrages
- “‘By Way of Their Fingers’: Making Sense of Self and Home in Selected Short Stories by Edwidge Danticat, Chitra Banerjee Divakaruni and Chimamanda Ngozi Adichie” in Women on the Move: Body, Memory and Femininity in Present-day Transnational Diasporic Writing, edited by Silvia Pellicer-Ortin and Julia Tofantšuk. London, New York: Routledge, 2018, pp. 97-115.
- "Haunting Books and Stories in Janice Kulyk Keefer’s Honey and Ashes, Story of Family," in Women’s Life Writing and the Practice of Reading, edited by Valérie Baisnée & all. London & New York: Palgrave Macmillan, 2018, pp. 237-253.
- “Mapping the Vernacular Landscape in Alice Munro's ‘What Do You Want to Know For ?’ and Other Stories.” in Space and Place in Alice Munro’s Fiction, A Book with Maps, Christine Lorre and Eleanora Rao (eds), Camden House, 2018, pp. 65-83.
- “Life and Death, Lines of Flight, Patterns of Entrapment and Survival in Alice Munro’s “Dimensions” and “Runaway”,” chapter 7 in Alice Munro, The Anatomy of the Short Story, Oriana Palusci (ed.), Newcastle upon Tyme, Cambridge Scholar Publishing, 2017; pp. 97-111.
- « Jeux et enjeux de la confession d’une meurtrière: “Child’s Play” d’Alice Munro » in L’acte inqualifiable ou le meurtre au féminin/Unspeakable Acts: Murder by Women, ouvrage dirigé par Emeline Jouve, Aurélie Guillain et Laurence Talairach. Peter Lang, 2016, p.181-197.
- “Ghost Texts, Patterns of Entrapment, and Lines of Flight: Reading stories from Too Much Happiness and Dear Life in Connection with Earlier Stories,” in Alice Munro: Reminiscence, Interpretation, Adaptation and Comparison, dirigé par Mira Buchholtz & Eugenia Sojka. Peter Lang, 2015, p. 59-74.
- “Patterns of Entrapment and Lines of Flight: Reading ‘Thanks for the Ride’ with ‘The Shining Houses’,” in The Inside of a Shell. Alice Munro’s Dance of the Happy Shades», dirigé par Vanessa Guignery. Newcastle: Cambridge Scholars Publishing, 2015, p. 130-143.
- “Interracial Relations: (Re)writing the Stereotype in Native and Non-Native Literatures: Pauline Johnson, Catharine Parr Traill and Susanna Moodie,” in The Memory of Nature in Aboriginal, Canadian and American Contexts, dirigé par Françoise Besson, Claire Omhovère & Héliane Ventura. Cambridge Scholars Publishing, 2014, p. 176-191.
- « ‘These French clichés are symptomatic’ : la mise en évidence des mots français dans Lolita de Vladimir Nabokov » in L’Etranger dans la langue, dirigé par Emily Eells, Ch. Berthin, et J.-M. Desprats. Presses Universitaires de Paris Ouest, 2014, p. 269-284.
- “Locking the Door’: Self-deception, Silence and Survival in Alice Munro’s ‘Vandals’,” in Trauma Narratives and Her Story, dirigé par Sonya Andermar & Silvia Pellicer. Palgrave MacMillan, 2013, p. 113-126.